Michigan State University, Lansing Symphony Orchestra
Israeli-American clarinetist Guy Yehuda is recognized as one of the most outstanding and unique talents on the international concert stage today. The top prizewinner of several international competitions, such as the Heida Hermanns and Fischoff, Yehuda was hailed by composer John Corigliano as “One of the most awe-inspiring clarinetists today.” He has toured extensively in Europe, North America, Israel and China. As principal clarinetist, he has performed with the Israel Philharmonic, Lucerne Contemporary Festival Orchestra, Chicago Civic Orchestra, Spoleto Festival Orchestra, Haifa Symphony Orchestra and Cincinnati Chamber Orchestra, among others, as well as guest clarinetist with the Chicago Symphony Orchestra. Yehuda performed on tours of Europe and the U.S. under the batons of top conductors including Pierre Boulez, Zubin Mehta, Kurt Masur and Daniel Barenboim. He performed and collaborated with the world’s top composers and performers including Pierre Boulez, Steve Reich, John Corigliano, Menahem Pressler from the Beaux-Arts Trio, and the Cypress and Harrington String Quartets. A highly demanded musician, he has performed as soloist and chamber musician at the Spoleto, Verbier, Lucerne, Ottawa Chamber Music, Parry Sound, and Domain Forget festivals, and at the Israeli Chamber Music Festivals of Kfar Blum and Haifa.
Yehuda is a sought-after recitalist throughout North America, Europe and Asia. He has performed as soloist in prestigious halls and venues such as Carnegie Hall, Domain Forget, (Canada), Chicago Symphony Hall, Palacio Fuz and Casa di Musica in Portugal, Mann Auditorium in Tel Aviv and Dame Myra Hess Chamber Series. He has appeared regularly as a guest artist on Public Radio across the U.S and abroad, and he has been a frequent artist on a number of live recordings for CBC. His discography includes: Music by French composer Jean Francaix, on the XII-21 Canadian Label; several CD recordings with Albany records; and the most recent release of the Brahms and Reger Sonatas on the Blue Griffin record label in 2015.
Yehuda has given master classes throughout the U.S, Canada, Mexico, Europe, China and Israel. He is a Selmer-Paris and D’Addario Reeds international performing artist and product consultant. He held visiting faculty positions at Indiana University and the University of Virginia, and has been the clarinet professor at the University of North Florida. Currently, he is the Associate Professor and Artist Teacher of Clarinet at Michigan State University College of Music, and principal clarinetist with the Lansing Symphony Orchestra. He is the clarinet faculty resident at the Vianden Summer Festival in Europe, Aria International Music Festival in Massachusetts and Fresno Summer Orchestra Academy in California.
Chicago Symphony Orchestra
Stephen Williamson is the principal clarinetist of the Chicago Symphony Orchestra under Maestro Riccardo Muti. Mr. Williamson recently was the principal clarinetist of the New York Philharmonic (2013-14 season) under Alan Gilbert as well as principal clarinetist of the Metropolitan Opera Orchestra (2003-11) under James Levine. In addition, he has been a frequent guest principal clarinetist with the Saito Kinen Festival Orchestra in Japan under Seiji Ozawa.
Mr. Williamson is currently on the faculty of DePaul University in Chicago, IL. He has served on the clarinet faculty at Columbia University and the Mannes College of Music in New York City, as well as at the Pacific Music Festival in Sapporo, Japan. He has recorded for the Sony Classics, Telarc, CRI, BMG, Naxos and Decca labels and can be heard on numerous film soundtracks. Most recently, Mr. Williamson was a featured soloist with the CSO under the baton of John Williams, recording his Oscar-nominated score for Steven Spielberg’s film, “Lincoln.”
An avid soloist and chamber musician, Mr. Williamson has performed extensively in the United States, Europe and Asia. He has collaborated with such artists as: Yo-Yo Ma, Jeffrey Kahane, Anne Marie McDermott, Emanuel Ax, Meliora Winds, Aspen, Dorian and Sylvan Wind Quintets; Brentano, American, Jasper and Dover String Quartets. Most recent concerto performances include the Mozart Clarinet Concerto with both the Pacific Music Festival Orchestra in Japan (2011) and the Metropolitan Opera Orchestra in Carnegie Hall under conductor Fabio Luisi (2012).
He received his Bachelor’s degree and Performer’s Certificate from the Eastman School of Music, and his Master’s degree from the Juilliard School. As a Fulbright Scholar, he furthered his studies at the Hochschule der Künste in Berlin, where he collaborated with various members of the Berlin Philharmonic. His past teachers include Peter Rieckhoff, Charles Neidich, Kenneth Grant and Michael Webster. Mr. Williamson was the grand prize winner of the 1994 Boosey & Hawkes/Buffet Crampon First Annual North American Clarinet Competition. Other past awards include the Concert Artists Guild Competition as well as the Coleman International Chamber Music Competition.
A long-time Selmer-Paris and Vandoren Artist, Mr. Williamson currently plays Selmer Signature clarinets and uses Vandoren traditional reeds with a James Pyne JX/BC mouthpiece. He resides in Wilmette, IL with his wife Jill, sons Ryan, Connor, Matthew and their dog Lila.
Jacobs School of Music at Indiana University
James Campbell has been called “Canada’s pre-eminent clarinetist and wind soloist”,by the Toronto Star. He has performed as soloist and chamber musician in over 35 countries with over 65 orchestras including the Boston Pops, Montreal Symphony and the London Symphony. He has collaborated with Glenn Gould and Aaron Copland and toured with over 35 string quartets, including the Guarneri, Amadeus(when he replaced an ailing Benny Goodman on a tour of California) and Vermeer. Of his over 40 recordings, the BBC and The Times of London rated his recording of the Brahms Clarinet Quintet as the best available and his CD “Stolen Gems”(Marquis Records) won a Juno. He has been named Canada’s Artist of the Year, awarded the Queen’s Gold and Diamond Jubilee Medal, an Honourary Doctor of Laws, and the Order of Canada. James Campbell has been Artistic Director of the Festival of the Sound since 1985
and has been Professor of Music at the famed Jacobs School of Music, of Indiana University since 1988 and regularly gives masterclasses throughout the world.
Paris Conservatory and Orcheste de Paris
Philippe Berrod is an internationnaly-renowned French clarinettist and Principal clarinet of the Orchestre de Paris since 1995. He trained at the Conservatoire National Supérieur de Musique de Paris (unanimously awarded) with Guy Deplus as teacher.
Invited as guest soloist around the world,he also performs chamber music with prestigious artists and collaborates with composers : Messiaen, Boulez, Denisow, Mantovani…and ensembles, such as the Sirba Octet, with whom he develops his interest in the more eclectic realms of live music.
He is also invited as soloist by the Malher Chamber Orchestra, the European Chamber Orchestra and the Bayerisch Rundfunk in Munich.
Philippe Berrod is the recipient of many international competition prizes, and recorded albums with various label such as Indésens records, Sony classical, Cristal records unanimously awarded (“choc Classica”, 4 stars Télérama, Diapason, “Clé de l’année” Resmusica, nominated at the french classical music award 2011).
He has been appointed Principal Professor of Clarinet and succeed to Michel Arrignon at the Conservatoire National Supérieur de Musique de Paris.
Philippe Berrod is artistic advisor for Henri SELMER Paris, designer and manufacturer of wind instruments since 1985.
He performs on Privilege clarinets. With pianist Nicolas Dessene he recorded Musik’it DVDs – pedagogical pieces for clarinet and piano.
Pittsburgh Symphony, Curtis Institute, Carnegie Mellon University
Michael Rusinek is currently the principal clarinetist of the Pittsburgh Symphony Orchestra, teaches clarinet and chamber music at the Curtis Institute of Music in Philadelphia, and teaches clarinet at Carnegie Mellon University in Pittsburgh. Starting in summer 2016, he joins the faculty of the Aspen Music Festival and School. Born in Toronto, Canada, his early studies were with Avrahm Galper at the Royal Conservatory of Music. He later attended the Curtis Institute of Music, studying with Donald Montanaro. Upon graduation, he served as assistant principal clarinet with the National Symphony Orchestra in Washington, D.C. In addition to his position in the Pittsburgh Symphony, he has performed as principal clarinet with the orchestras of Philadelphia, St. Louis, The Royal Concertgebouw in Amsterdam and National Arts Center in Ottawa, Canada.
Rusinek has performed as a soloist with many orchestras and as a recitalist across Canada, on CBC Radio and throughout the United States and Israel, including appearances with the Czech Philharmonic, Concerto Classic Wien, Toronto Symphony, Belgrade Philharmonic, Grand Teton Music Festival Orchestra, Aspen Chamber Symphony and the Symphony Orchestra of the Curtis Institute of Music. He has been heard as a soloist with the Pittsburgh Symphony many times and, in May 2008, he premiered a new concerto by composer Alan Fletcher, a concerto commissioned for him by the Pittsburgh Symphony. That performance was recorded and is available on the Exton label.
Rusinek was awarded the grand prize in the International Clarinet Society competition, and was a prize winner in the Belgrade International clarinet competition. He has participated in numerous music festivals, including the Salt Bay and Portland Chamber Music Festivals, and Music In the Vineyards in Napa Valley. He returns regularly to the Grand Teton, Santa Fe Chamber and Marlboro music festivals. He has toured with the acclaimed “Musicians from Marlboro,” and was featured on the Sony label celebrating Marlboro’s 50th anniversary. In summer 2000, he performed as principal clarinet in the Super World Orchestra, an ensemble comprised of musicians from orchestras around the world. Dedicated to teaching, he has led master classes at some of the leading institutions around the world, including the Royal Conservatory of Music of Toronto, the Colburn Music School, the Manhattan School of Music and the New World Symphony. He served on the faculty of the Canton International Summer Music Academy in Canton, China for its inaugural season, and returns often to play and teach in Tianjin and Beijing. He also returns frequently to conduct master classes and perform recitals in Mexico City. He served on the jury for the inaugural Jacques Lancelot International Clarinet Competition in Rouen, France.
Rusinek is proud of his association with Selmer Clarinets and Rico Reeds. When he is not performing or teaching, you may often find him riding his bike, on the golf course or playing hockey in a non-contact league.
Arizona State University
Robert Spring has been described as “one of this country’s most sensitive and talented clarinetists”, Arizona Republic, “dazzled his audience…flawless technique”, The Clarinet Magazine, and “a formidable soloist…played with great emotional life” Copenhagen, Denmark, Politiken. Spring’s recording of Grawemeier Award winning composer Joan Tower’s works for clarinet was described by The Clarinet Magazine as “truly outstanding….one would be hard pressed to find better performances of contemporary music….first rate music performed with the highest professional standards.” The Instrumentalist Magazine says of his recording, “Dragon’s Tongue”, a CD of virtuoso music for clarinet and wind band, “His musicality and technique make this recording a must for every CD collection.” Fanfare Magazine says of the CD, “Tarantelle”, music that the famous violinist Jascha Heifetz recorded on violin, being performed on clarinet, “This recording was meant to amaze and, man, it succeeds.”
The America Record Guide writes about his recent recording of the Copland Clarinet Concerto, “Spring is fabulous in the Copland. His phrasing is elegant swing tailored with great flow and a spread of tone colors and expressive subtleties. His low- and mid-range are especially warm, rich, and embracing and highly effective in the introduction and in the bridge to the jazzy finale. And boy what a finale! The pace is neatly judged to pick up at critical junctures so that, by the end, it feels like an improvised jam session.”
Spring attended the University of Michigan where he was awarded three degrees, including the Doctor of Musical Arts degree. He was recently awarded the “Citation of Merit Award” from the School of Music Alumni Society. His teachers included John Mohler, David Shifrin and Paul Shaller. Spring has performed as a recitalist or soloist with symphony orchestras and wind bands in the United States, Canada, Europe, Asia and South America, and has been heard in the United States on National Public Radio’s, Performance Today. He frequently serves as clinician and adjudicator and teaches on the faculties of several summer music festivals. He has published numerous articles on multiple articulation and other contemporary clarinet techniques.
Spring was President of the International Clarinet Association from 1998-2000 and has performed for numerous International Clarinet Association conventions. He hosted the 1995 International Clarinet Association ClarinetFest at Arizona State University where he is presently Evelyn Smith Professor of Music in Clarinet. Dr. Spring is also a guest professor at the Beijing Central Conservatory of Music and principal clarinet of the ProMusica Chamber Orchestra of Columbus, OH. He is a Buffet Artist, and plays the Buffet Greenline Clarinet exclusively.
Michigan State University
Tasha Warren, assistant professor of chamber music at the Michigan State University College of Music, is an avid teacher and international performer. She has premiered numerous solo clarinet and chamber works working closely with composers and conductors including Shulamit Ran, Augusta Read Thomas, Cliff Colnot, and Oliver Knussen. She has recorded with Innova, Alba, and SCI Records, the I.U. New Music Ensemble, Hal Leonard Productions, CBC Radio, and PBC Korea Television. Crystal Records released her CD, The Naked Clarinet, in December 2009, which garnered praise in reviews from International Record Review, Fanfare Magazine, The Clarinet Magazine and others.
Warren has taught on the music performance faculties of Louisiana State University and the University of Virginia. She played principal clarinet with the Charlottesville Symphony Orchestra from 2009-2011, and Columbus Indiana Philharmonic from 2004-2009. She has implemented chamber music programs with MAYO Youth Orchestra, University of Virginia, and the Jacksonville Symphony Youth Orchestra. She holds MM and DMA performance degrees from Indiana University Jacobs School of Music from the studios of James Campbell and Eli Eban.